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oapen-20.500.12657-871482024-03-28T14:03:03Z Singing the Land Sperling, Eli Israel, Zionism, Judaism, Music Hebrew, Hebraic music, Hebrew National culture, Jews, national culture Zionist culture, American Jewish life, Jewish education, Jewish history, musicology, American history, Reform Judaism, Conservative Judaism, American Jews, Nationalism, Zionist nationalism, folk music, European Jewish culture, folk culture, post-1948 Palestine, Israeli independence, American middle class, music history, Zionization, Yishuv national culture thema EDItEUR::J Society and Social Sciences::JB Society and culture: general thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSR Social groups: religious groups and communities thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVL Music: styles and genres::AVLK Sacred and religious music Singing the Land: Hebrew Music and Early Zionism in America examines the proliferation and use of popular Hebrew Zionist music amongst American Jewry during the first half of the twentieth century. This music—one part in a greater process of instilling diasporic Zionism in American Jewish communities—represents an early and underexplored means of fostering mainstream American Jewish engagement with the Jewish state and Hebrew national culture as they emerged after Israel declared its independence in 1948. This evolutionary process brought Zionism from being an often-polemical notion in American Judaism at the turn of the twentieth century to a mainstream component of American Jewish life by 1948. Hebrew music ultimately emerged as an important means through which many American Jews physically participated in or ‘performed’ aspects of Zionism and Hebrew national culture from afar. Exploring the history, events, contexts, and tensions that comprised what may be termed the ‘Zionization’ of American Jewry during the first half of the twentieth century, Eli Sperling analyzes primary sources within the historical contexts of Zionist national development and American Jewish life. Singing the Land offers insights into how and why musical frameworks were central to catalyzing American Jewry’s support of the Zionist cause by the 1940s, parallel to firm commitments to their American locale and national identities. The proliferation of this widespread American Jewish-Zionist embrace was achieved through a variety of educational, religious, economic, and political efforts, and Hebrew music was a thread consistent among them all. 2024-01-22T14:01:18Z 2024-01-22T14:01:18Z 2024 book 9780472076659 9780472056651 https://library.oapen.org/handle/20.500.12657/87148 eng application/pdf Attribution-NonCommercial 4.0 International 9780472904310.pdf University of Michigan Press 10.3998/mpub.12674669 10.3998/mpub.12674669 e07ce9b5-7a46-4096-8f0c-bc1920e3d889 9780472076659 9780472056651 261 open access
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Singing the Land: Hebrew Music and Early Zionism in America examines the proliferation and use of popular Hebrew Zionist music amongst American Jewry during the first half of the twentieth century. This music—one part in a greater process of instilling diasporic Zionism in American Jewish communities—represents an early and underexplored means of fostering mainstream American Jewish engagement with the Jewish state and Hebrew national culture as they emerged after Israel declared its independence in 1948. This evolutionary process brought Zionism from being an often-polemical notion in American Judaism at the turn of the twentieth century to a mainstream component of American Jewish life by 1948. Hebrew music ultimately emerged as an important means through which many American Jews physically participated in or ‘performed’ aspects of Zionism and Hebrew national culture from afar.
Exploring the history, events, contexts, and tensions that comprised what may be termed the ‘Zionization’ of American Jewry during the first half of the twentieth century, Eli Sperling analyzes primary sources within the historical contexts of Zionist national development and American Jewish life. Singing the Land offers insights into how and why musical frameworks were central to catalyzing American Jewry’s support of the Zionist cause by the 1940s, parallel to firm commitments to their American locale and national identities. The proliferation of this widespread American Jewish-Zionist embrace was achieved through a variety of educational, religious, economic, and political efforts, and Hebrew music was a thread consistent among them all.
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