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oapen-20.500.12657-873542024-03-28T14:03:10Z Sawt, Bodies, Species Aubry, Gilles Richter, Anna Theory of music and musicology;Music recording and reproduction;Social research and statistics;Regional studies thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology thema EDItEUR::A The Arts::AV Music::AVX Music recording and reproduction thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHB Sociology::JHBC Social research and statistics thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GT Interdisciplinary studies::GTM Regional / International studies How do the Moroccan sound archives of the writer Paul Bowles from the 1970s sound today with the musicians of that time? What does an earthquake in Agadir have to do with a Japanese science fiction film? What sound do stones have? And what do we learn about environmental pollution by listening to the agar agar algae? Drawing on critical sound studies, ethnographic research, and artistic practice, this book offers multivoiced narratives about acoustic practices in Morocco. Gilles Aubry‘s research on the sonic dimensions of our environment, ranges from animal, plant, and mineral voices to ritual practices and technological infrastructures. The Arabic word for these voices in the physical but also in the technological sense is sawt. In collaborations with local musicians, artists and scientists, Aubry explores in experimental settings listening as the basis of „sonic pluralism“. The dense descriptions of the multidisciplinary research are complemented by series of photographies. Via QR codes, the text is linked to audiovisual essays and compositions by the artist. The layout of the book takes up this close linking of digital and analog materials. 2024-01-29T13:19:34Z 2024-01-29T13:19:34Z 2023 book 9783943253597 https://library.oapen.org/handle/20.500.12657/87354 eng application/pdf Attribution-NonCommercial 4.0 International 9783943253641_high.pdf https://adocs.de/en/buecher/sound-open-accessebooks/sawt-bodies-species-sonic-pluralism-morocco adocs 10.53198/9783943253641 10.53198/9783943253641 a5323bbb-22d1-4625-a3e8-33a680a6ac7e 07f61e34-5b96-49f0-9860-c87dd8228f26 9783943253597 Swiss National Science Foundation (SNF) 153 Hamburg Schweizerischer Nationalfonds zur Förderung der Wissenschaftlichen Forschung Swiss National Science Foundation open access
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How do the Moroccan sound archives of the writer Paul Bowles from the 1970s sound today with the musicians of that time? What does an earthquake in Agadir have to do with a Japanese science fiction film? What sound do stones have? And what do we learn about environmental pollution by listening to the agar agar algae?
Drawing on critical sound studies, ethnographic research, and artistic practice, this book offers multivoiced narratives about acoustic practices in Morocco. Gilles Aubry‘s research on the sonic dimensions of our environment, ranges from animal, plant, and mineral voices to ritual practices and technological infrastructures. The Arabic word for these voices in the physical but also in the technological sense is sawt. In collaborations with local musicians, artists and scientists, Aubry explores in experimental settings listening as the basis of „sonic pluralism“.
The dense descriptions of the multidisciplinary research are complemented by series of photographies. Via QR codes, the text is linked to audiovisual essays and compositions by the artist. The layout of the book takes up this close linking of digital and analog materials.
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