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oapen-20.500.12657-880382024-03-28T14:03:24Z The Digital, a Continent? Bühlmann, Vera Kommunikation;Design;Architektur;Energie;Material;Medium;Natur;Rationalismus;Architekturtheorie;Informatik;Neuer Materialismus;Digitale Technologie;Communication;Energy;Media;Nature;Rationalism;Architecture theory;Computer Science;New Materialism;digital technology thema EDItEUR::A The Arts::AM Architecture::AMA Theory of architecture In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a ""communicative physics"" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics. Theoretical consideration of digital technology Visual language and science New volume in the Applied Virtuality Book Series ; In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a ""communicative physics"" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics. Theoretical consideration of digital technology Visual language and science New volume in the Applied Virtuality Book Series Die Autorin erörtert eine Denkweise über digitale Technik, die sich auf den neuen Materialismus stützt. The Digital, a Continent? verwendet dabei beispielhaft die Photosynthese und die Kernspaltung als ebenso künstliche wie natürliche Prozesse, um zu erklären, wie die digitale Technik im Paradigma einer „kommunikativen Physik"" gesehen werden kann und in der Poetik mit mathematischem Denken zusammenspielt. Die Autorin schlussfolgert, dass wir uns selbst und die digitale Technik besser verstehen können, wenn wir Vorstellungen davon entwickeln, wie Energie, Form und Intellekt in einer Architektonik von Welt in vielfältiger Weise zusammenspielen. Theoretische Betrachtung der digitalen Technik Bildliche Sprache und Naturwissenschaft Neuer Band der Reihe Applied Virtuality Book Series 2024-02-27T14:00:45Z 2024-02-27T14:00:45Z 2024 book 9783035627657 https://library.oapen.org/handle/20.500.12657/88038 eng Applied Virtuality Book Series application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783035627701.pdf https://www.degruyter.com/document/cover/isbn/9783035627701/original De Gruyter Birkhäuser Die Autorin erörtert eine Denkweise über digitale Technik, die sich auf den neuen Materialismus stützt. The Digital, a Continent? verwendet dabei beispielhaft die Photosynthese und die Kernspaltung als ebenso künstliche wie natürliche Prozesse, um zu erklären, wie die digitale Technik im Paradigma einer „kommunikativen Physik"" gesehen werden kann und in der Poetik mit mathematischem Denken zusammenspielt. Die Autorin schlussfolgert, dass wir uns selbst und die digitale Technik besser verstehen können, wenn wir Vorstellungen davon entwickeln, wie Energie, Form und Intellekt in einer Architektonik von Welt in vielfältiger Weise zusammenspielen. Theoretische Betrachtung der digitalen Technik Bildliche Sprache und Naturwissenschaft Neuer Band der Reihe Applied Virtuality Book Series 2b386f62-fc18-4108-bcf1-ade3ed4cf2f3 9783035627657 Birkhäuser 22 536 open access
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In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a ""communicative physics"" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics.
Theoretical consideration of digital technology
Visual language and science
New volume in the Applied Virtuality Book Series
;
In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a ""communicative physics"" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics.
Theoretical consideration of digital technology
Visual language and science
New volume in the Applied Virtuality Book Series
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