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oapen-20.500.12657-881202024-03-28T14:02:48Z Cognate Music Theories Prats-Arolas, Ignacio Philosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. 2024-03-04T12:55:02Z 2024-03-04T12:55:02Z 2024 book 9781003311690 9781032025940 9781032106656 https://library.oapen.org/handle/20.500.12657/88120 eng Routledge Research in Music Taylor & Francis Routledge 10.4324/9781003311690 10.4324/9781003311690 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb f503a2b5-69c6-44b6-b06b-d5ae6962e23a 9781003311690 9781032025940 9781032106656 Routledge open access
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This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context.
Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music.
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