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oapen-20.500.12657-881212024-03-28T14:02:48Z Chapter 9 The language of emotions from Descartes to Metastasio Torrente, Álvaro Dominguez Rodriguez, Jose Maria Philosophy,Music & Visual Arts,History,Criticism,Cognate music theory,Music theory,Musicology,Music history,History of music theory,Musical analysis,Musical rhetoric,Historically informed theory,Historically informed performance,Ethnomusicology,European music history,Early modern music,Baroque music,Classical music thema EDItEUR::A The Arts::AV Music thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory. Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context. Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music. 2024-03-04T13:01:51Z 2024-03-04T13:01:51Z 2024 chapter 9781032025940 9781032106656 https://library.oapen.org/handle/20.500.12657/88121 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9781003311690_10.4324_9781003311690-12.pdf Taylor & Francis Cognate Music Theories Routledge 10.4324/9781003311690-12 10.4324/9781003311690-12 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 4112ddf1-583b-422e-b9c6-741c246b5732 6a044850-f30f-4ed8-a4a5-8b5b4c45af59 9781032025940 9781032106656 European Research Council (ERC) Routledge 36 788986 European Research Council (ERC) open access
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This volume explores the possibilities of cognate music theory, a concept introduced by musicologist John Walter Hill to describe culturally and historically situated music theory.
Cognate music theories offer a new way of thinking about music theory, music history, and the relationship between insider and outsider perspectives when researchers mediate between their own historical and cultural position, and that of the originators of the music they are studying. With contributions from noted scholars of musicology, music theory, and ethnomusicology, this volume develops a variety of approaches using the cognate music theory framework and shows how this concept enables more nuanced and critical analyses of music in historical context.
Addressing topics in music from the seventeenth to nineteenth centuries, this volume will be relevant to musicologists, music theorists, and all researchers interested in reflecting critically on what it means to construct a theory of music.
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