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oapen-20.500.12657-883222024-03-28T14:02:53Z Conservation of Contemporary Art van de Vall, Renée van Saaze, Vivian Contemporary Art Conservation Curating Practice theory Museums Ethics management European cultural heritage professional expertise heritage institutions conservators thema EDItEUR::L Law::LB International law thema EDItEUR::L Law::LA Jurisprudence and general issues::LAM Comparative law thema EDItEUR::L Law::LA Jurisprudence and general issues::LAB Methods, theory and philosophy of law thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies thema EDItEUR::G Reference, Information and Interdisciplinary subjects::GL Library and information sciences / Museology::GLZ Museology and heritage studies thema EDItEUR::L Law::LB International law::LBB Public international law thema EDItEUR::N History and Archaeology::NK Archaeology This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice. 2024-03-13T11:10:20Z 2024-03-13T11:10:20Z 2024 book ONIX_20240313_9783031423574_23 9783031423574 9783031423567 https://library.oapen.org/handle/20.500.12657/88322 eng Studies in Art, Heritage, Law and the Market application/pdf n/a 978-3-031-42357-4.pdf https://link.springer.com/978-3-031-42357-4 Springer Nature Springer International Publishing 10.1007/978-3-031-42357-4 10.1007/978-3-031-42357-4 6c6992af-b843-4f46-859c-f6e9998e40d5 093455ef-4084-4959-bfe3-3646c923dda3 9783031423574 9783031423567 Springer International Publishing 9 401 Cham [...] open access
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This open access book investigates whether and how theoretical findings and insights in contemporary art conservation can be translated into the daily work practices of conservators or, vice versa, whether and how the problems and dilemmas encountered in conservation practice can inform broader research questions and projects. For several decades now, the conservation of contemporary art has been a dynamic field of research and reflection. Because of contemporary art’s variable constitution, its care and management calls for a fundamental rethinking of the overall research landscape of museums, heritage institutions, private-sector organizations and universities. At first, this research was primarily pursued by conservation professionals working in or with museums and other heritage organizations, but increasingly academic researchers and universities became involved, for instance through collaborative projects. This book is the result of such collaboration. It sets out to bridge the “gap” between theory and practice by investigating conservation practices as a form of reflection and reflection as a form of practice.
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