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oapen-20.500.12657-885182024-03-28T14:02:58Z Pina Bausch's Dance Theater Klein, Gabriele Dance Theatre Pina Bausch Translation Praxeology Artistic Research Audience Art Critique Theatre Dance Art Dance History Theatre Studies Dance Studies History of Theatre thema EDItEUR::A The Arts::AT Performing arts::ATQ Dance thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies This volume provides new, ground-breaking perspectives on the globally renowned work of the Tanztheater Wuppertal and its iconic founder and artistic director, Pina Bausch. The company's performances, how it developed its productions, the global transfer of its choreographic material and the reactions of audiences and critics are explained as complex, interdependent and reciprocal processes of translation. This is the first book to focus on the artistic research conducted for the Tanztheater's international coproductions and features extensive interviews with dancers, collaborators and spectators and provides first-hand ethnographic insights into the work process. By introducing the praxeology of translation as a key methodological concept for dance research, Gabriele Klein argues that Pina Bausch's lasting legacy is defined by an entanglement of temporalities that challenges the notion of contemporaneity. 2024-03-14T10:45:32Z 2024-03-14T10:45:32Z 2020 book ONIX_20240314_9783839450550_65 9783839450550 9783837650556 https://library.oapen.org/handle/20.500.12657/88518 eng TanzScripte application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783839450550.pdf transcript Verlag transcript Verlag 10.14361/9783839450550 10.14361/9783839450550 b30a6210-768f-42e6-bb84-0e6306590b5c 9783839450550 9783837650556 transcript Verlag 56 440 Bielefeld open access
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This volume provides new, ground-breaking perspectives on the globally renowned work of the Tanztheater Wuppertal and its iconic founder and artistic director, Pina Bausch. The company's performances, how it developed its productions, the global transfer of its choreographic material and the reactions of audiences and critics are explained as complex, interdependent and reciprocal processes of translation. This is the first book to focus on the artistic research conducted for the Tanztheater's international coproductions and features extensive interviews with dancers, collaborators and spectators and provides first-hand ethnographic insights into the work process. By introducing the praxeology of translation as a key methodological concept for dance research, Gabriele Klein argues that Pina Bausch's lasting legacy is defined by an entanglement of temporalities that challenges the notion of contemporaneity.
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