9783839470183.pdf
While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-...
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oapen-20.500.12657-885822024-03-28T14:02:59Z Ibsen at the Theatrical Crossroads of Europe Druta, Gianina Henrik Ibsen Romania Theatre and Performance Digital Humanities Theatre Cultural History Literature History of Theatre Theatre Studies Slavic Studies Romance Studies thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism::DSB Literary studies: general While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations. 2024-03-14T10:46:45Z 2024-03-14T10:46:45Z 2024 book ONIX_20240314_9783839470183_111 9783839470183 9783837670189 https://library.oapen.org/handle/20.500.12657/88582 eng Theater application/pdf Attribution 4.0 International 9783839470183.pdf transcript Verlag transcript Verlag 10.14361/9783839470183 10.14361/9783839470183 b30a6210-768f-42e6-bb84-0e6306590b5c 9e3de82a-c411-4c05-8636-e6f5c866d08e 57b51bd3-cb34-47f7-a4a8-4178a0260a91 9783839470183 9783837670189 transcript Verlag 160 324 Bielefeld [...] [...] open access |
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While Ibsen's plays were seldom performed in Romania in the first half of the 20th century, historical sources highlight his strong impact on the national theatre practice. To address this contradiction, Gianina Druta approaches the reception of Ibsen in the Romanian theatre in the period 1894-1947, combining Digital Humanities and theatre historiography. This investigation of the European theatre culture and the way in which the foreign acting and staging traditions influenced the Romanian Ibsenites provides new insights into mechanisms of aesthetic transmission. Thus, this study presents a European theatre landscape whose unpredictability and uniqueness cannot be confined to essentialist interpretations. |
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2024 |
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