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oapen-20.500.12657-886422024-03-28T14:03:01Z The Great Gatsby meets Alain Badiou Vooght, Ursula Fidelity;truth;Badiou;F Scott Fitzgerald;The Great Gatsby;Luhrmann;Coppola;film adaptation thema EDItEUR::D Biography, Literature and Literary studies The subject of this book is a consideration of the usefulness of the concept of fidelity put forward by the philosopher Alain Badiou in the discussion of film adaptation. Fidelity or faithfulness is primarily a consideration that emerges in relation to so-called canonical texts in adaptation: Fitzgerald's The Great Gatsby occupies a position of global recognisability and, within the United States, cultural mythology that has triggered strong reactions to the four Hollywood adaptations. The various adaptations allow for the differing approaches to the adaptation of this novel to be meaningfully explored. The film adaptations’ paratextual elements are discussed in order to show how these acted as limiting lenses. The strategies of the films for handling elements of Fitzgerald’s prose and themes are compared across the adaptations. The book concludes by asserting the worth of a larger application of a Badiouian fidelity within the field. 2024-03-19T14:41:20Z 2024-03-19T14:41:20Z 2023 book 9781779952844 9781779952851 https://library.oapen.org/handle/20.500.12657/88642 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 421-Book manuscript-8961-1-10-20231221-1.pdf AOSIS 10.4102/aosis.2023.BK421 10.4102/aosis.2023.BK421 d7387d49-5f5c-4cd8-8640-ed0a752627b7 9781779952844 9781779952851 282 Capetown open access
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English
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The subject of this book is a consideration of the usefulness of the concept of fidelity put forward by the philosopher Alain Badiou in the discussion of film adaptation. Fidelity or faithfulness is primarily a consideration that emerges in relation to so-called canonical texts in adaptation: Fitzgerald's The Great Gatsby occupies a position of global recognisability and, within the United States, cultural mythology that has triggered strong reactions to the four Hollywood adaptations. The various adaptations allow for the differing approaches to the adaptation of this novel to be meaningfully explored. The film adaptations’ paratextual elements are discussed in order to show how these acted as limiting lenses. The strategies of the films for handling elements of Fitzgerald’s prose and themes are compared across the adaptations. The book concludes by asserting the worth of a larger application of a Badiouian fidelity within the field.
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421-Book manuscript-8961-1-10-20231221-1.pdf
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421-Book manuscript-8961-1-10-20231221-1.pdf
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421-Book manuscript-8961-1-10-20231221-1.pdf
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421-Book manuscript-8961-1-10-20231221-1.pdf
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421-Book manuscript-8961-1-10-20231221-1.pdf
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421-book manuscript-8961-1-10-20231221-1.pdf
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AOSIS
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2024
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1799945255536033792
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