978-3-95796-014-6_Lindeperg-Szczepanska.pdf

978-3-95796-014-6_Lindeperg-Szczepanska.pdf

Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film...

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Γλώσσα:English
Έκδοση: meson press 2024
Διαθέσιμο Online:https://meson.press/books/who-owns-the-images/
id oapen-20.500.12657-88697
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spelling oapen-20.500.12657-886972024-03-21T16:55:10Z Who Owns the Images? Lindeperg, Sylvie Szczepanska, Ania media theory bic Book Industry Communication::J Society & social sciences::JF Society & culture: general::JFD Media studies Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice. 2024-03-21T12:15:01Z 2024-03-21T12:15:01Z 2021 book ONIX_20240321_9783957960146_2 9783957960146 https://library.oapen.org/handle/20.500.12657/88697 eng Configurations of Film application/pdf Attribution-ShareAlike 4.0 International 978-3-95796-014-6_Lindeperg-Szczepanska.pdf https://meson.press/books/who-owns-the-images/ meson press meson press 10.14619/0146 10.14619/0146 4d4a8ec1-ecfe-4e5c-bc76-d4ece9897968 3358520f-7ab2-42ab-80ef-88a2dbe6a901 9783957960146 meson press 4 143 Lüneburg 310565625 Graduiertenkolleg GRK 2279: Konfigurationen des Films Deutsche Forschungsgemeinschaft German Research Association open access
institution OAPEN
collection DSpace
language English
description Digitization carries the utopian promise of archival access unlimited by constraints of space and time, and with it, of new forms of research and historiographies. In reality, digital image archives pose a complex set of technical, legal, ethical and methodological challenges, particularly for film and media studies and adjacent fields. In a series of studies and interviews with practitioners, scholars and theorists, this volume draws a detailed map of these challenges and offers perspectives for further research and creative practice.
title 978-3-95796-014-6_Lindeperg-Szczepanska.pdf
spellingShingle 978-3-95796-014-6_Lindeperg-Szczepanska.pdf
title_short 978-3-95796-014-6_Lindeperg-Szczepanska.pdf
title_full 978-3-95796-014-6_Lindeperg-Szczepanska.pdf
title_fullStr 978-3-95796-014-6_Lindeperg-Szczepanska.pdf
title_full_unstemmed 978-3-95796-014-6_Lindeperg-Szczepanska.pdf
title_sort 978-3-95796-014-6_lindeperg-szczepanska.pdf
publisher meson press
publishDate 2024
url https://meson.press/books/who-owns-the-images/
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