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oapen-20.500.12657-891802024-04-03T02:24:30Z Chapter Visioni di Salomè. L’orrore del sogno in un frammento teatrale di Pessoa Ragusa, Andrea Fernando Pessoa static dramas contemporary Portuguese theatre violence heteronyms thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Fernando Pessoa's "static dramas" - fourteen are currently known, all of them unfinished and fragmentary, except The Sailor - mirror the heteronymism that characterises, in a broad sense, his entire work. A theatre of words, of situation rather than of action, which is realised in a dialectical superimposition of the inner level with the outer one and in a mechanism that through recourse to dreams, as an active instrument of poetic creation, generates mystery and horror. The fragments of Salome, a drama probably composed in the period 1917-1918, are a highly significant example not only of Pessoa's static/estatic tendency, but also of the need to represent in various declinations the 'subtle intellectual terror' that constitutes his dramatic vocation. 2024-04-02T15:48:51Z 2024-04-02T15:48:51Z 2023 chapter ONIX_20240402_9791221502787_149 2975-0229 9791221502787 https://library.oapen.org/handle/20.500.12657/89180 ita Studi di letterature moderne e comparate application/pdf n/a 9791221502787_09.pdf https://books.fupress.com/doi/capitoli/979-12-215-0278-7_9 Firenze University Press USiena Press 10.36253/979-12-215-0278-7.09 Fernando Pessoa's "static dramas" - fourteen are currently known, all of them unfinished and fragmentary, except The Sailor - mirror the heteronymism that characterises, in a broad sense, his entire work. A theatre of words, of situation rather than of action, which is realised in a dialectical superimposition of the inner level with the outer one and in a mechanism that through recourse to dreams, as an active instrument of poetic creation, generates mystery and horror. The fragments of Salome, a drama probably composed in the period 1917-1918, are a highly significant example not only of Pessoa's static/estatic tendency, but also of the need to represent in various declinations the 'subtle intellectual terror' that constitutes his dramatic vocation. 10.36253/979-12-215-0278-7.09 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221502787 USiena Press 3 8 Florence open access
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Fernando Pessoa's "static dramas" - fourteen are currently known, all of them unfinished and fragmentary, except The Sailor - mirror the heteronymism that characterises, in a broad sense, his entire work. A theatre of words, of situation rather than of action, which is realised in a dialectical superimposition of the inner level with the outer one and in a mechanism that through recourse to dreams, as an active instrument of poetic creation, generates mystery and horror. The fragments of Salome, a drama probably composed in the period 1917-1918, are a highly significant example not only of Pessoa's static/estatic tendency, but also of the need to represent in various declinations the 'subtle intellectual terror' that constitutes his dramatic vocation.
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