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oapen-20.500.12657-891832024-04-03T02:24:32Z Chapter Odio y venganza en La persistencia de Griselda Gambaro Lenzi, Maria Beatrice Griselda Gambaro Contemporary Argentine theatre Beslan's massacre theory of reception violence thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Griselda Gambaro's La Persistencia is one of the Argentine author's most difficult works. In it, she reconstructs a historical event, the school massacre in Beslan, North Ossetia, in 2004, which claimed more than three hundred victims, mostly children. Bringing violence to the stage is not in itself a new fact; it is, however, a matter of recreating an event that really happened in its historical context, trying to expose the reasons that made it possible and the motives that triggered such extreme violence, leaving the judgement to the reader or the spectator. 2024-04-02T15:48:58Z 2024-04-02T15:48:58Z 2023 chapter ONIX_20240402_9791221502787_152 2975-0229 9791221502787 https://library.oapen.org/handle/20.500.12657/89183 spa Studi di letterature moderne e comparate application/pdf n/a 9791221502787_06.pdf https://books.fupress.com/doi/capitoli/979-12-215-0278-7_6 Firenze University Press USiena Press 10.36253/979-12-215-0278-7.06 Griselda Gambaro's La Persistencia is one of the Argentine author's most difficult works. In it, she reconstructs a historical event, the school massacre in Beslan, North Ossetia, in 2004, which claimed more than three hundred victims, mostly children. Bringing violence to the stage is not in itself a new fact; it is, however, a matter of recreating an event that really happened in its historical context, trying to expose the reasons that made it possible and the motives that triggered such extreme violence, leaving the judgement to the reader or the spectator. 10.36253/979-12-215-0278-7.06 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221502787 USiena Press 3 14 Florence open access
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Griselda Gambaro's La Persistencia is one of the Argentine author's most difficult works. In it, she reconstructs a historical event, the school massacre in Beslan, North Ossetia, in 2004, which claimed more than three hundred victims, mostly children. Bringing violence to the stage is not in itself a new fact; it is, however, a matter of recreating an event that really happened in its historical context, trying to expose the reasons that made it possible and the motives that triggered such extreme violence, leaving the judgement to the reader or the spectator.
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