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oapen-20.500.12657-891852024-04-03T02:24:33Z Chapter Il teatro di violenze domestiche di Ágota Kristóf Benedettini, Riccardo Ágota Kristóf violence theatre imaginative system body's representation monstrosity thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies For Ágota Kristóf, theatrical and novel communication are not as clearly different as we would expect given the difference between the two literary genres. The first plays, written in French-speaking Switzerland starting from the end of the 1970s, contain those motifs that would later build the imaginative system of the most famous novels. Violence, latent or manifest, dominates all sentimentality and outlines, in its precise contours of abuse of the body, what will be the constant controversy in all of the writer's activity in the theatre, in the novel, in poetry. In the features of violence we see a detached testimony of social relationships, that accumulation of frustrations that causes individual events to transform into episodes of a broader human story. 2024-04-02T15:49:01Z 2024-04-02T15:49:01Z 2023 chapter ONIX_20240402_9791221502787_154 2975-0229 9791221502787 https://library.oapen.org/handle/20.500.12657/89185 ita Studi di letterature moderne e comparate application/pdf n/a 9791221502787_04.pdf https://books.fupress.com/doi/capitoli/979-12-215-0278-7_4 Firenze University Press USiena Press 10.36253/979-12-215-0278-7.04 For Ágota Kristóf, theatrical and novel communication are not as clearly different as we would expect given the difference between the two literary genres. The first plays, written in French-speaking Switzerland starting from the end of the 1970s, contain those motifs that would later build the imaginative system of the most famous novels. Violence, latent or manifest, dominates all sentimentality and outlines, in its precise contours of abuse of the body, what will be the constant controversy in all of the writer's activity in the theatre, in the novel, in poetry. In the features of violence we see a detached testimony of social relationships, that accumulation of frustrations that causes individual events to transform into episodes of a broader human story. 10.36253/979-12-215-0278-7.04 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221502787 USiena Press 3 9 Florence open access
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For Ágota Kristóf, theatrical and novel communication are not as clearly different as we would expect given the difference between the two literary genres. The first plays, written in French-speaking Switzerland starting from the end of the 1970s, contain those motifs that would later build the imaginative system of the most famous novels. Violence, latent or manifest, dominates all sentimentality and outlines, in its precise contours of abuse of the body, what will be the constant controversy in all of the writer's activity in the theatre, in the novel, in poetry. In the features of violence we see a detached testimony of social relationships, that accumulation of frustrations that causes individual events to transform into episodes of a broader human story.
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