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oapen-20.500.12657-891862024-04-03T02:24:34Z Chapter La violencia obscena, la violencia en escena: los conflictos en el Oriente Medio en el teatro español contemporáneo Bellomi, Paola Contemporary Spanish theatre violence Arab-Israeli conflict war Marco Magoa Aurora Mateos Luis Matilla thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies Contemporary Spanish theatre has sporadically dealt with recent or ongoing conflicts in the Middle East, but with extremely interesting results: Palestinians, Israelis, Iraqis, Moroccans, Syrians are characters that appear in texts such as El suicidio del ángel by Aurora Mateos (2007), Bajo el cielo de Gaza by Luis Matilla (2015) or Mare Nostrum, finis somnia vuestra by Marco Magoa (2016). Violence is, unfortunately, the red thread that binds an otherwise heterogeneous production in terms of verbal and theatrical language. The contribution aims to investigate the expressive modes through which the obscenity of war, conflicts, clashes, blood, wounds are brought to the stage. 2024-04-02T15:49:03Z 2024-04-02T15:49:03Z 2023 chapter ONIX_20240402_9791221502787_155 2975-0229 9791221502787 https://library.oapen.org/handle/20.500.12657/89186 spa Studi di letterature moderne e comparate application/pdf n/a 9791221502787_03.pdf https://books.fupress.com/doi/capitoli/979-12-215-0278-7_3 Firenze University Press USiena Press 10.36253/979-12-215-0278-7.03 Contemporary Spanish theatre has sporadically dealt with recent or ongoing conflicts in the Middle East, but with extremely interesting results: Palestinians, Israelis, Iraqis, Moroccans, Syrians are characters that appear in texts such as El suicidio del ángel by Aurora Mateos (2007), Bajo el cielo de Gaza by Luis Matilla (2015) or Mare Nostrum, finis somnia vuestra by Marco Magoa (2016). Violence is, unfortunately, the red thread that binds an otherwise heterogeneous production in terms of verbal and theatrical language. The contribution aims to investigate the expressive modes through which the obscenity of war, conflicts, clashes, blood, wounds are brought to the stage. 10.36253/979-12-215-0278-7.03 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221502787 USiena Press 3 15 Florence open access
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Contemporary Spanish theatre has sporadically dealt with recent or ongoing conflicts in the Middle East, but with extremely interesting results: Palestinians, Israelis, Iraqis, Moroccans, Syrians are characters that appear in texts such as El suicidio del ángel by Aurora Mateos (2007), Bajo el cielo de Gaza by Luis Matilla (2015) or Mare Nostrum, finis somnia vuestra by Marco Magoa (2016). Violence is, unfortunately, the red thread that binds an otherwise heterogeneous production in terms of verbal and theatrical language. The contribution aims to investigate the expressive modes through which the obscenity of war, conflicts, clashes, blood, wounds are brought to the stage.
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