9791221502381_21.pdf

Moscow at the turn of history. About the “toponymic upheaval” and not only. The article digs into the urban (and political) geography of Moscow and how this is perceived in Italy in the aftermath of the collapse of the Soviet Union. In particular, the investigation will focus on a number of volumes...

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Γλώσσα:Russian
Έκδοση: Firenze University Press 2024
Διαθέσιμο Online:https://books.fupress.com/doi/capitoli/979-12-215-0238-1_21
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spelling oapen-20.500.12657-892342024-04-03T02:25:00Z Chapter Москва на рубеже истории. О “топонимической встряске” и не только Olivieri, Claudia Urban geography Moscow Perestroika Travelogue Italian correspondents from Moscow thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism Moscow at the turn of history. About the “toponymic upheaval” and not only. The article digs into the urban (and political) geography of Moscow and how this is perceived in Italy in the aftermath of the collapse of the Soviet Union. In particular, the investigation will focus on a number of volumes related to the late Soviet era that were published in Italy between the late 1980s and the mid-1990s. The authors are mainly newspaper and TV correspondents: Vittorio Zucconi (1944-2019, Il Corriere della sera, Si fa presto a dire Russia); Demetrio Volcic (1931-2021, RAI, Mosca. I giorni della fine); Enrico Franceschini (1956, La Repubblica) who is both a journalist (La fine dell'impero. Ultimo viaggio in URSS) and a novelist (La donna della Piazza Rossa). However, the texts index also includes a politician, Giulio Andreotti (L’URSS vista da vicino. Dalla guerra fredda a Gorbaciov), and a comic character, Mickey Mouse, who, in an October 1988 issue number, shows how in the years of perestroika people looked at the nascent (dying) country with both fear and curiosity. All the authors, regardless of their profession and orientation, have the feeling that they are also witnessing history through urban geography; it is no coincidence that all the texts analyzed, to varying extents, “photograph” buildings, streets, monuments... that is to say , “places,” which may be “old,” i.e. inherited from previous travelers or the result of historical, political or literary reminiscences, or “new” places, where a new path of history is being written. 2024-04-02T15:50:26Z 2024-04-02T15:50:26Z 2023 chapter ONIX_20240402_9791221502381_203 2612-7679 9791221502381 https://library.oapen.org/handle/20.500.12657/89234 rus Biblioteca di Studi Slavistici application/pdf n/a 9791221502381_21.pdf https://books.fupress.com/doi/capitoli/979-12-215-0238-1_21 Firenze University Press 10.36253/979-12-215-0238-1.21 Moscow at the turn of history. About the “toponymic upheaval” and not only. The article digs into the urban (and political) geography of Moscow and how this is perceived in Italy in the aftermath of the collapse of the Soviet Union. In particular, the investigation will focus on a number of volumes related to the late Soviet era that were published in Italy between the late 1980s and the mid-1990s. The authors are mainly newspaper and TV correspondents: Vittorio Zucconi (1944-2019, Il Corriere della sera, Si fa presto a dire Russia); Demetrio Volcic (1931-2021, RAI, Mosca. I giorni della fine); Enrico Franceschini (1956, La Repubblica) who is both a journalist (La fine dell'impero. Ultimo viaggio in URSS) and a novelist (La donna della Piazza Rossa). However, the texts index also includes a politician, Giulio Andreotti (L’URSS vista da vicino. Dalla guerra fredda a Gorbaciov), and a comic character, Mickey Mouse, who, in an October 1988 issue number, shows how in the years of perestroika people looked at the nascent (dying) country with both fear and curiosity. All the authors, regardless of their profession and orientation, have the feeling that they are also witnessing history through urban geography; it is no coincidence that all the texts analyzed, to varying extents, “photograph” buildings, streets, monuments... that is to say , “places,” which may be “old,” i.e. inherited from previous travelers or the result of historical, political or literary reminiscences, or “new” places, where a new path of history is being written. 10.36253/979-12-215-0238-1.21 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221502381 55 13 Florence open access
institution OAPEN
collection DSpace
language Russian
description Moscow at the turn of history. About the “toponymic upheaval” and not only. The article digs into the urban (and political) geography of Moscow and how this is perceived in Italy in the aftermath of the collapse of the Soviet Union. In particular, the investigation will focus on a number of volumes related to the late Soviet era that were published in Italy between the late 1980s and the mid-1990s. The authors are mainly newspaper and TV correspondents: Vittorio Zucconi (1944-2019, Il Corriere della sera, Si fa presto a dire Russia); Demetrio Volcic (1931-2021, RAI, Mosca. I giorni della fine); Enrico Franceschini (1956, La Repubblica) who is both a journalist (La fine dell'impero. Ultimo viaggio in URSS) and a novelist (La donna della Piazza Rossa). However, the texts index also includes a politician, Giulio Andreotti (L’URSS vista da vicino. Dalla guerra fredda a Gorbaciov), and a comic character, Mickey Mouse, who, in an October 1988 issue number, shows how in the years of perestroika people looked at the nascent (dying) country with both fear and curiosity. All the authors, regardless of their profession and orientation, have the feeling that they are also witnessing history through urban geography; it is no coincidence that all the texts analyzed, to varying extents, “photograph” buildings, streets, monuments... that is to say , “places,” which may be “old,” i.e. inherited from previous travelers or the result of historical, political or literary reminiscences, or “new” places, where a new path of history is being written.
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publisher Firenze University Press
publishDate 2024
url https://books.fupress.com/doi/capitoli/979-12-215-0238-1_21
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