9791221502381_06.pdf

Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer...

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Γλώσσα:Russian
Έκδοση: Firenze University Press 2024
Διαθέσιμο Online:https://books.fupress.com/doi/capitoli/979-12-215-0238-1_6
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spelling oapen-20.500.12657-892482024-04-03T02:25:08Z Chapter Слушая Сад: переосмысление звуковых аспектов чеховской пьесы на примере японской и итальянской постановок Murata, Shin’ichi Chekhov’s reception Perception of theatrical art live sound stage sound shift technique thema EDItEUR::D Biography, Literature and Literary studies::DS Literature: history and criticism Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian performances based on The Cherry Orchard in the second half of the 20th century and early 21st centuries are compared. 2024-04-02T15:50:49Z 2024-04-02T15:50:49Z 2023 chapter ONIX_20240402_9791221502381_217 2612-7679 9791221502381 https://library.oapen.org/handle/20.500.12657/89248 rus Biblioteca di Studi Slavistici application/pdf n/a 9791221502381_06.pdf https://books.fupress.com/doi/capitoli/979-12-215-0238-1_6 Firenze University Press 10.36253/979-12-215-0238-1.06 Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian performances based on The Cherry Orchard in the second half of the 20th century and early 21st centuries are compared. 10.36253/979-12-215-0238-1.06 bf65d21a-78e5-4ba2-983a-dbfa90962870 9791221502381 55 17 Florence open access
institution OAPEN
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language Russian
description Listening to The Orchard: Rethinking the Sound Aspect of Chekhov’s Play in Japanese and Italian Productions. The best dramatists write plays in such a way that the performance can realize the deep meaning of the sound aspect of the original text. In the belief of theatrical art, sound is much closer to tangibility than appearance. Using The Cherry Orchard by A.P. Chekhov as an example, the article examines the role and significance of distinct types of “live sound” that figure out the theatricality of a literary text and its concept. For comparative analysis, well-known Japanese and Italian performances based on The Cherry Orchard in the second half of the 20th century and early 21st centuries are compared.
title 9791221502381_06.pdf
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title_full 9791221502381_06.pdf
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title_sort 9791221502381_06.pdf
publisher Firenze University Press
publishDate 2024
url https://books.fupress.com/doi/capitoli/979-12-215-0238-1_6
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