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oapen-20.500.12657-894042024-05-30T11:26:44Z City Folk Walkowitz, Daniel J. 18th 20th also both century cities Country countryside Dance dancer English folk from himself historian history immersed leap only rehearsed renowned rich roots steps story This told tradition transatlantic US thema EDItEUR::N History and Archaeology::NH History::NHB General and world history thema EDItEUR::N History and Archaeology::NH History::NHK History of the Americas This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America. 2024-04-03T10:11:04Z 2024-04-03T10:11:04Z 2010 book ONIX_20240403_9780814784525_122 9780814784525 9780814794692 https://library.oapen.org/handle/20.500.12657/89404 eng NYU Series in Social and Cultural Analysis application/pdf application/epub+zip Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International 9780814784525_WEB.pdf 9780814784525_EPUB.epub New York University Press NYU Press 10.18574/nyu/9780814794692.001.0001 10.18574/nyu/9780814794692.001.0001 7d95336a-0494-42b2-ad9c-8456b2e29ddc 9780814784525 9780814794692 NYU Press 3 New York open access
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English
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This is the story of English Country Dance, from its 18th century roots in the English cities and countryside, to its transatlantic leap to the U.S. in the 20th century, told by not only a renowned historian but also a folk dancer, who has both immersed himself in the rich history of the folk tradition and rehearsed its steps. In City Folk, Daniel J. Walkowitz argues that the history of country and folk dancing in America is deeply intermeshed with that of political liberalism and the ‘old left.’ He situates folk dancing within surprisingly diverse contexts, from progressive era reform, and playground and school movements, to the changes in consumer culture, and the project of a modernizing, cosmopolitan middle class society. Tracing the spread of folk dancing, with particular emphases on English Country Dance, International Folk Dance, and Contra, Walkowitz connects the history of folk dance to social and international political influences in America. Through archival research, oral histories, and ethnography of dance communities, City Folk allows dancers and dancing bodies to speak. From the norms of the first half of the century, marked strongly by Anglo-Saxon traditions, to the Cold War nationalism of the post-war era, and finally on to the counterculture movements of the 1970s, City Folk injects the riveting history of folk dance in the middle of the story of modern America.
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9780814784525_WEB.pdf
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9780814784525_WEB.pdf
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9780814784525_WEB.pdf
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9780814784525_WEB.pdf
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9780814784525_WEB.pdf
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9780814784525_web.pdf
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publisher |
New York University Press
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2024
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1801184886336258048
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