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oapen-20.500.12657-894552024-05-30T11:27:38Z The Disarticulate Berger, James Social and cultural anthropology Disability: social aspects thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBF Social and ethical issues::JBFM Disability: social aspects Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, “wild” children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the ‘disarticulate’—those at the edges of language—have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Nightwood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of “the least of its brothers.” Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity’s anxieties in terms of how it constructs its others. 2024-04-03T10:12:00Z 2024-04-03T10:12:00Z 2014 book ONIX_20240403_9780814708330_173 9780814708330 9780814708460 https://library.oapen.org/handle/20.500.12657/89455 eng Cultural Front application/pdf application/epub+zip Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International 9780814708330_WEB.pdf 9780814708330_EPUB.epub New York University Press NYU Press 10.18574/nyu/9780814708460.001.0001 10.18574/nyu/9780814708460.001.0001 7d95336a-0494-42b2-ad9c-8456b2e29ddc 9780814708330 9780814708460 NYU Press New York open access
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Language is integral to our social being. But what is the status of those who stand outside of language? The mentally disabled, “wild” children, people with autism and other neurological disorders, as well as animals, infants, angels, and artificial intelligences, have all engaged with language from a position at its borders. In the intricate verbal constructions of modern literature, the ‘disarticulate’—those at the edges of language—have, paradoxically, played essential, defining roles. Drawing on the disarticulate figures in modern fictional works such as Billy Budd, The Sound and the Fury, Nightwood, White Noise, and The Echo Maker, among others, James Berger shows in this intellectually bracing study how these characters mark sites at which aesthetic, philosophical, ethical, political, medical, and scientific discourses converge. It is also the place of the greatest ethical tension, as society confronts the needs and desires of “the least of its brothers.” Berger argues that the disarticulate is that which is unaccountable in the discourses of modernity and thus stands as an alternative to the prevailing social order. Using literary history and theory, as well as disability and trauma theory, he examines how these disarticulate figures reveal modernity’s anxieties in terms of how it constructs its others.
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New York University Press
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2024
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1801184887148904448
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