9781479876426_WEB.pdf

The Sounds of Latinidad explores the Latino music scene as a lens through which to understand changing ideas about latinidad in the New South. Focusing on Latino immigrant musicians and their fans in Charlotte, North Carolina, the volume shows how limited economic mobility, social marginalization, a...

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Γλώσσα:English
Έκδοση: New York University Press 2024
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spelling oapen-20.500.12657-894642024-05-30T11:27:46Z The Sounds of Latinidad Byrd, Samuel K. Social and cultural anthropology Urban communities thema EDItEUR::J Society and Social Sciences::JH Sociology and anthropology::JHM Anthropology::JHMC Social and cultural anthropology thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBS Social groups, communities and identities::JBSD Urban communities The Sounds of Latinidad explores the Latino music scene as a lens through which to understand changing ideas about latinidad in the New South. Focusing on Latino immigrant musicians and their fans in Charlotte, North Carolina, the volume shows how limited economic mobility, social marginalization, and restrictive immigration policies have stymied immigrants’ access to the American dream and musicians’ dreams of success. Instead, Latin music has become a way to form community, debate political questions, and claim cultural citizenship. The volume illuminates the complexity of Latina/o musicians’ lives. They find themselves at the intersection of culture and politics, often pushed to define a vision of what it means to be Latino in a globalizing city in the Nuevo South. At the same time, they often avoid overt political statements and do not participate in immigrants’ rights struggles, instead holding a cautious view of political engagement. Yet despite this politics of ambivalence, Latina/o musicians do assert intellectual agency and engage in a politics that is embedded in their musical community, debating aesthetics, forging collective solidarity with their audiences, and protesting poor working conditions. Challenging scholarship on popular music that focuses on famous artists or on one particular genre, this volume demonstrates how exploring the everyday lives of ordinary musicians can lead to a deeper understanding of musicians’ role in society. It argues that the often overlooked population of Latina/o musicians should be central to our understanding of what it means to live in a southern U.S. city today. 2024-04-03T10:12:12Z 2024-04-03T10:12:12Z 2015 book ONIX_20240403_9781479876426_182 9781479876426 9781479859405 https://library.oapen.org/handle/20.500.12657/89464 eng Social Transformations in American Anthropology application/pdf application/epub+zip Attribution-NonCommercial-ShareAlike 4.0 International Attribution-NonCommercial-ShareAlike 4.0 International 9781479876426_WEB.pdf 9781479876426_EPUB.epub New York University Press NYU Press 10.18574/nyu/9781479859405.001.0001 10.18574/nyu/9781479859405.001.0001 7d95336a-0494-42b2-ad9c-8456b2e29ddc 9781479876426 9781479859405 NYU Press 4 New York open access
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language English
description The Sounds of Latinidad explores the Latino music scene as a lens through which to understand changing ideas about latinidad in the New South. Focusing on Latino immigrant musicians and their fans in Charlotte, North Carolina, the volume shows how limited economic mobility, social marginalization, and restrictive immigration policies have stymied immigrants’ access to the American dream and musicians’ dreams of success. Instead, Latin music has become a way to form community, debate political questions, and claim cultural citizenship. The volume illuminates the complexity of Latina/o musicians’ lives. They find themselves at the intersection of culture and politics, often pushed to define a vision of what it means to be Latino in a globalizing city in the Nuevo South. At the same time, they often avoid overt political statements and do not participate in immigrants’ rights struggles, instead holding a cautious view of political engagement. Yet despite this politics of ambivalence, Latina/o musicians do assert intellectual agency and engage in a politics that is embedded in their musical community, debating aesthetics, forging collective solidarity with their audiences, and protesting poor working conditions. Challenging scholarship on popular music that focuses on famous artists or on one particular genre, this volume demonstrates how exploring the everyday lives of ordinary musicians can lead to a deeper understanding of musicians’ role in society. It argues that the often overlooked population of Latina/o musicians should be central to our understanding of what it means to live in a southern U.S. city today.
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publisher New York University Press
publishDate 2024
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