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oapen-20.500.12657-894972024-04-05T02:23:16Z Death and (Re) Birth of J.S. Bach Alonso Trillo, Roberto Matamoro;Follow;Bach’s Music;Authorship Markers;Abbas Kiarostami;Bach’s Partita;Baroque;Tomás;Held;Contemporary Expansion;Musical Authorship;BWV;Kiarostami;Work In Progress;Musical Works;Derridean Trace;Authorial Subjectivities;Musical Ontology;Strange Attractors;Lydia Goehr;Johann Georg Pisendel;Basso Continuo;Ontological Readings;Gestural Dimension;Ontological Turn thema EDItEUR::A The Arts::AB The arts: general topics thema EDItEUR::A The Arts::AV Music::AVA Theory of music and musicology While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the …Bach… project, a collection of new music based on Johann Sebastian Bach’s Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications. 2024-04-04T07:38:49Z 2024-04-04T07:38:49Z 2019 book 9780429997723 9780429997716 9780367732554 9780429504716 9781138586260 https://library.oapen.org/handle/20.500.12657/89497 eng application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9780429997730.pdf Taylor & Francis Routledge 10.4324/9780429504716 10.4324/9780429504716 7b3c7b10-5b1e-40b3-860e-c6dd5197f0bb 9780429997723 9780429997716 9780367732554 9780429504716 9781138586260 Routledge 159 open access
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While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the …Bach… project, a collection of new music based on Johann Sebastian Bach’s Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.
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