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oapen-20.500.12657-896342024-04-09T02:27:32Z Cultural Diversity in Motion Canyürek, Özlem Diversity Migration Performing Arts Cultural Policy Germany Theatre Culture Theatre Studies Interculturalism thema EDItEUR::A The Arts::AT Performing arts::ATD Theatre studies thema EDItEUR::J Society and Social Sciences::JP Politics and government::JPQ Central / national / federal government::JPQB Central / national / federal government policies What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, Özlem Canyürek introduces the concept of ›thinking and acting interculturally‹ and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society. 2024-04-08T14:03:57Z 2024-04-08T14:03:57Z 2022 book ONIX_20240408_9783839460177_80 9783839460177 9783837660173 https://library.oapen.org/handle/20.500.12657/89634 eng Theater application/pdf Attribution 4.0 International 9783839460177.pdf transcript Verlag transcript Verlag 10.14361/9783839460177 10.14361/9783839460177 b30a6210-768f-42e6-bb84-0e6306590b5c 4a1ea0f2-e46e-4025-bbc3-e853f4181d49 9783839460177 9783837660173 transcript Verlag 144 284 Bielefeld 101017536 Backlisttransformation EOSC Future H2020 Excellent Science H2020 Priority Excellent Science open access
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What does migration-generated diversity mean for cultural policy and the performing arts scene in Germany and how is it promoted? Through bridging theory and practice, Özlem Canyürek introduces the concept of ›thinking and acting interculturally‹ and proposes a set of criteria as a stepping stone for a semantic shift in cultural policy towards achieving a fair and accessible performing arts scene for all. She delineates the framework conditions of a receptive cultural policy to envision cultural diversity in motion to enable the production and dissemination of multiplicity of thoughts, experiences, knowledge, worldviews, and aesthetics of an intercultural society.
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