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oapen-20.500.12657-896662024-04-09T02:28:44Z Big Screens, Small Forms Gotto, Lisa Film Media Culture Digital Media Social Networks Television Media Aesthetics Popular Culture Media Studies thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCT Media studies::JBCT1 Media studies: internet, digital media and society thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences. 2024-04-08T14:04:44Z 2024-04-08T14:04:44Z 2022 book ONIX_20240408_9783839461976_108 9783839461976 9783837661972 https://library.oapen.org/handle/20.500.12657/89666 eng Digitale Gesellschaft application/pdf Attribution 4.0 International 9783839461976.pdf transcript Verlag transcript Verlag 10.14361/9783839461976 10.14361/9783839461976 b30a6210-768f-42e6-bb84-0e6306590b5c 4a1ea0f2-e46e-4025-bbc3-e853f4181d49 9783839461976 9783837661972 transcript Verlag 50 268 Bielefeld 101017536 Backlisttransformation EOSC Future H2020 Excellent Science H2020 Priority Excellent Science open access
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We witness an era with more screens than ever before, and within each screen, a multitude of visual varieties. Lisa Gotto investigates this medial diversity as a field of tension between large and small forms of digital image culture. This includes, on the one hand, the immersive potential of large image arrangements, such as digital 3D cinema, and, on the other hand, the compactness of mobile image forms, such as those of the smartphone film or the media practices of Instagram. Weaving together a rich variety of examples and sources, this book presents a multifaceted collection of essays that explore the transformational potential of digital media culture, contextualize its media-technical conditions, and reflect on its social consequences.
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