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oapen-20.500.12657-897952024-04-11T02:27:08Z Technics Baer, Nicholas van den Oever, Annie Film and media studies, philosophy of technology, media theory, science and technology studies, media archaeology, digital humanities thema EDItEUR::A The Arts::AT Performing arts::ATF Films, cinema::ATFX Filmmaking and production: technical and background skills Technics gathers leading international media scholars to rethink technology for the contemporary digital era. The volume’s 28 contributors provide cutting-edge theoretical, historiographical, and methodological reflections on media and technology. Chapters explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent issues such as ableism, algorithms, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology. 2024-04-10T12:31:53Z 2024-04-10T12:31:53Z 2024 book 9789048564552 https://library.oapen.org/handle/20.500.12657/89795 eng The Key Debates: Mutations and Appropriations in European Film Studies application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9789048564569.pdf Amsterdam University Press 10.5117/9789048564552 10.5117/9789048564552 dd3d1a33-0ac2-4cfe-a101-355ae1bd857a 1edf7275-d11e-45ad-a038-9270d4ffa2e0 4ff5e103-721b-437d-be4e-40fdfb887da3 896e8fec-3e03-4995-97ac-79982f5bd819 9789048564552 10 338 University of California, Berkeley Foundation UC Berkeley Foundation Rijksuniversiteit Groningen University of Groningen Nicolaas Mulerius Foundation, University of Groningen Stichting Nicolaas Mulerius Fonds, Rijksuniversiteit Groningen open access
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Technics gathers leading international media scholars to rethink technology for the contemporary digital era. The volume’s 28 contributors provide cutting-edge theoretical, historiographical, and methodological reflections on media and technology. Chapters explore the ideas of Walter Benjamin, Ursula Le Guin, Bernhard Siegert, Gilbert Simondon, and Sylvia Wynter in conjunction with urgent issues such as ableism, algorithms, digital infrastructures, generative AI, and geoengineering. An expansive collection of writings on media technologies in the digital age, Technics is an essential resource for students and scholars of film and media studies, digital humanities, science and technology studies, and the philosophy of technology.
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