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oapen-20.500.12657-898032024-04-12T02:23:02Z Músicas iberoamericanas interconectadas MARÍN-LÓPEZ, Javier Capelán, Montserrat Castagna, Paulo Ibero-American music, transculturation, cultural exchange, transnational networks thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSE Spain thema EDItEUR::1 Place qualifiers::1K The Americas::1KL Latin America – Mexico, Central America, South America thema EDItEUR::1 Place qualifiers::1D Europe::1DS Southern Europe::1DSP Portugal thema EDItEUR::3 Time period qualifiers::3K CE period up to c 1500::3KL c 1000 CE to c 1500::3KLY 15th century, c 1400 to c 1499 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MD 16th century, c 1500 to c 1599 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MG 17th century, c 1600 to c 1699 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MN 19th century, c 1800 to c 1899 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3ML 18th century, c 1700 to c 1799 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MP 20th century, c 1900 to c 1999 thema EDItEUR::3 Time period qualifiers::3M c 1500 onwards to present day::3MR 21st century, c 2000 to c 2100::3MRB Early 21st century c 2000 to c 2050 thema EDItEUR::A The Arts::AV Music::AVM History of music thema EDItEUR::J Society and Social Sciences::JB Society and culture: general::JBC Cultural and media studies::JBCC Cultural studies The musical history of Ibero-America – understood not only as a geographical space but also as a global cultural community – has been marked by highly complex transculturation processes, as a result of the convergence and subsequent hybridization – over time – of indigenous and African matrices. and Iberian. This reality was possible thanks to an extensive and diversified communications network – first maritime and land, then also air – that kept a plurality of regions and ecosystems interconnected. Starting from this interpretive approach to networks of exchange, this collection of essays contains recent research on how music, with its complexity of semantic and formal components and its inherent capacity to cross all types of borders, participated in these transnational networks, becoming a key agent within a dynamic system of cultural relations. Specifically, the various chapters, signed by researchers from Argentina, Austria, Brazil, Chile, Spain, the United States, Mexico, Portugal and Puerto Rico, analyze how the existence of communication routes shaped the mobility of musicians, repertoires, practices and ideologies , configuring a dynamic and complex reticular structure that allows us to understand the Ibero-American sound universe as part of an interacted whole 2024-04-11T12:08:04Z 2024-04-11T12:08:04Z 2023 book 9788491924098 9783968695396 https://library.oapen.org/handle/20.500.12657/89803 spa Ediciones de Iberoamericana application/pdf Attribution-NonCommercial-NoDerivatives 4.0 International 9783968695600.pdf https://www.iberoamericana-vervuert.es/Libros/230405.pdf Iberoamericana Vervuert 10.31819/9783968695600 10.31819/9783968695600 ddb3ae13-7f2c-4e9a-909a-11ea8fa64a23 9788491924098 9783968695396 148 648 open access
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The musical history of Ibero-America – understood not only as a geographical space but also as a global cultural community – has been marked by highly complex transculturation processes, as a result of the convergence and subsequent hybridization – over time – of indigenous and African matrices. and Iberian. This reality was possible thanks to an extensive and diversified communications network – first maritime and land, then also air – that kept a plurality of regions and ecosystems interconnected. Starting from this interpretive approach to networks of exchange, this collection of essays contains recent research on how music, with its complexity of semantic and formal components and its inherent capacity to cross all types of borders, participated in these transnational networks, becoming a key agent within a dynamic system of cultural relations. Specifically, the various chapters, signed by researchers from Argentina, Austria, Brazil, Chile, Spain, the United States, Mexico, Portugal and Puerto Rico, analyze how the existence of communication routes shaped the mobility of musicians, repertoires, practices and ideologies , configuring a dynamic and complex reticular structure that allows us to understand the Ibero-American sound universe as part of an interacted whole
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