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oapen-20.500.12657-89954
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oapen-20.500.12657-899542024-04-17T02:27:32Z Is it French? Popular Postnational Screen Fiction from France Harrod, Mary Moine, Raphaëlle French cinema transnational mainstream French television postnational thema EDItEUR::A The Arts::AT Performing arts This book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole. This book is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com. 2024-04-16T08:18:17Z 2024-04-16T08:18:17Z 2023 book ONIX_20240416_9783031391958_47 9783031391958 9783031391941 https://library.oapen.org/handle/20.500.12657/89954 eng Palgrave European Film and Media Studies application/pdf n/a 978-3-031-39195-8.pdf https://link.springer.com/978-3-031-39195-8 Springer Nature Palgrave Macmillan 10.1007/978-3-031-39195-8 10.1007/978-3-031-39195-8 6c6992af-b843-4f46-859c-f6e9998e40d5 be79e974-26f6-48a0-9dc0-525280506d60 9783031391958 9783031391941 Palgrave Macmillan 302 Cham [...] University of Warwick The University of Warwick open access
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OAPEN
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DSpace
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| language |
English
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| description |
This book investigates the recently accelerated phenomenon of mainstream French film and serial television’s remarkable popularity not only within but – more novelly for European audiovisual narratives – outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole. This book is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
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| title |
978-3-031-39195-8.pdf
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| spellingShingle |
978-3-031-39195-8.pdf
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| title_short |
978-3-031-39195-8.pdf
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| title_full |
978-3-031-39195-8.pdf
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| title_fullStr |
978-3-031-39195-8.pdf
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978-3-031-39195-8.pdf
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978-3-031-39195-8.pdf
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| publisher |
Springer Nature
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| publishDate |
2024
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https://link.springer.com/978-3-031-39195-8
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1799945219959947264
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