The art and science of HDR imaging /

Rendering High Dynamic Range (HDR) scenes on media with limited dynamic range began in the Renaissance whereby painters, then photographers, learned to use low-range spatial techniques to synthesize appearances, rather than to reproduce accurately the light from scenes. The Art and Science of HDR Im...

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Bibliographic Details
Main Author: McCann, John J.
Other Authors: Rizzi, Alessandro, 1965-
Format: eBook
Language:English
Published: Chichester, West Sussex, U.K. ; Hoboken, N.J. : Wiley, [2012]
Series:Wiley-IS & T series in imaging science and technology.
Subjects:
Online Access:Full Text via HEAL-Link
Description
Summary:Rendering High Dynamic Range (HDR) scenes on media with limited dynamic range began in the Renaissance whereby painters, then photographers, learned to use low-range spatial techniques to synthesize appearances, rather than to reproduce accurately the light from scenes. The Art and Science of HDR Imaging presents a unique scientific HDR approach derived from artists' understanding of painting, emphasizing spatial information in electronic imaging. Human visual appearance and reproduction rendition of the HDR world requires spatial-image processing to overcome the veiling glare limits of optica.
Physical Description:1 online resource.
Bibliography:Includes bibliographical references and index.
ISBN:9781119951483
1119951488
9781119951476
111995147X
1283283107
9781283283106
DOI:10.1002/9781119951483