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05166nam a2200541 4500 |
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OCoLC |
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20170124070548.7 |
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m o d |
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120430s2012 nju o 000 0 eng d |
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|a EBLCP
|b eng
|e pn
|c EBLCP
|d OCLCQ
|d YDXCP
|d DG1
|d UIU
|d OCLCQ
|d OCLCF
|d OCLCQ
|d DEBBG
|d GrThAP
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|a 904073582
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|a 9781444396447
|q (electronic bk.)
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|a 1444396447
|q (electronic bk.)
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|a GBVCP
|b 790037505
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|a NLGGC
|b 38962408X
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|a DEBBG
|b BV043394502
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|a (OCoLC)792684025
|z (OCoLC)904073582
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|a PN1995.9 .C84 M38 2012
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|a 791.43/653
|a 791.43653
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| 049 |
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|a MAIN
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| 100 |
1 |
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|a Mathijs, Ernest.
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| 245 |
1 |
0 |
|a Cult cinema :
|b an introduction /
|c Ernest Mathijs and Jamie Sexton.
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| 264 |
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1 |
|a Malden, MA :
|b Wiley-Blackwell,
|c 2011.
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| 300 |
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|a 1 online resource (x, 299 pages)
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| 336 |
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|a text
|b txt
|2 rdacontent
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| 337 |
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|a computer
|b c
|2 rdamedia
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| 338 |
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|a online resource
|b cr
|2 rdacarrier
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0 |
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|a Cover; Title Page; Copyright; Dedication; List of Figures; Acknowledgments; Introduction; The History of Studying Cult Cinema; Definition of Cult Cinema; Structure of the Book; Part I: Receptions and Debates; Chapter 1: Cult Reception Contexts; Midnight Movies; The Difficulty of Researching Cult Cinema; Cult Cinema as Phenomenal Experience; Cult Cinema as Bad Experience; Cult Cinema as Collective Experience; Cult Cinema as Connected Experience; Cult Cinema as Surplus Experience; Conclusion: Cult as Performance?; Chapter 2: The Cult Cinema Marketplace; Production Culture.
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| 505 |
8 |
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|a Funding and DistributionMarketing: Causing and Containing Commotion; Exhibition Culture; Piracy; Conclusion; Chapter 3: Prestige, Awards, and Festivals; Awards and Prizes; Festivals and Valuation; Niche Cults and Festivals; Conclusion; Chapter 4: Censorship and Criticism; Censorship and Controversy; Cult Connoisseurship; Surrealist Criticism; Cult Cinephilia and MacMahonism; Fan Criticism; DIY Criticism; Conclusion; Chapter 5: Fandom and Subculture; Fan Studies: Early Approaches; Visible and Performative Fans; Revising Fan Studies; Cultural Capital and Subcultures; Mainstream Cult Fans?
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| 505 |
8 |
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|a Conclusion: Recent Trends in Cult FandomChapter 6: The Cult Auteur; The "Romantic" Cult Auteur; The Cult of the Dead Auteur; Self-conscious Cultism and Cult Salesmanship; Female Cult Auteurs; Conclusion; Chapter 7: Cult Stardom; The Cult of the Movie Star; Mainstream Cult Stars; The Cult of Death; Cult Actors; Artificiality and Individuality; Conclusion; Chapter 8: Camp and Paracinema; Camp; Paracinema; Critical Responses to Sconce; Conclusion; Chapter 9: Transgression and Freakery; Taboo; From Taboo to Cult?; Transgression; Freakery; Conclusion: Sick Films; Chapter 10: Gender and Sexuality.
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|a Masculinity, Femininity, and CultAnxieties of Cult Consumption; Non-Normative Sexuality and the Performance of Gender; Erotica and the Performance of Gender; The Performance of Gendered Reception; Hidden Strategies of Cult Enjoyment; Conclusion; Chapter 11: Transnationalism and Orientalism; Orientalism: Curiosity versus Exoticism; The Reception of Asian Cult Cinema; Networks of Exchange: Otaku; Hong Kong Cult Cinema; Anime and J-Horror; Conclusion; Chapter 12: Religion and Utopia; Discourses on Cultism and Religion; The Cult of Dionysus: Wasted Time and the Orgy; Utopianism.
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|a Midnight Movies and SatanismContemporary Performances of Religious Cultism; Conclusion; Part II: Themes and Genres; Chapter 13: Exploitation and B Movies; B Movies and Classical Exploitation; Teenpics and Youth Culture; Nasty Trash: Exploitation in the 1970s; Exploitation in the Video Era; Conclusion; Chapter 14: Underground and Avant-garde Cinema; Cult and the Avant-garde of the 1920s; The American Underground of the 1950s and 1960s; Underground Goes Overground: The Midnight Movie; The Underground Today; Chapter 15: Cult Cinema and Drugs; Cult Movies and Drug Depiction.
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| 500 |
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|a Counterculture, Drugs and the "Head" Film.
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| 520 |
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|a Cult Cinema: an Introduction presents the first in-depth academic examination of all aspects of the field of cult cinema, including audiences, genres, and theoretical perspectives. Represents the first exhaustive introduction to cult cinemaOffers a scholarly treatment of a hotly contested topic at the center of current academic debateCovers audience reactions, aesthetics, genres, theories of cult cinema, as well as historical insights into the topic.
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| 588 |
0 |
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|a Print version record.
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| 650 |
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0 |
|a Cult films
|x History and criticism.
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| 650 |
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4 |
|a Cult films.
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| 650 |
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4 |
|a Sensationalism in motion pictures.
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| 650 |
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4 |
|a Fine Arts.
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| 650 |
|
7 |
|a Cult films.
|2 fast
|0 (OCoLC)fst01744415
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| 655 |
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4 |
|a Electronic books.
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| 655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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| 700 |
1 |
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|a Sexton, Jamie.
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| 776 |
0 |
8 |
|i Print version:
|a Mathijs, Ernest.
|t Cult Cinema.
|d Hoboken : John Wiley & Sons, ©2012
|z 9781405173735
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| 856 |
4 |
0 |
|u https://doi.org/10.1002/9781444396447
|z Full Text via HEAL-Link
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| 994 |
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|a 92
|b DG1
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