A companion to early cinema /

• Συγγραφή απο Οργανισμό/Αρχή: Wiley InterScience (Online service)
• Άλλοι συγγραφείς: Gaudreault, André, Dulac, Nicolas, Hidalgo, Santiago
• Μορφή: Ηλ. βιβλίο
• Γλώσσα: English
• Έκδοση: Hoboken : John Wiley & Sons, 2012.
• Θέματα: Motion pictures > History.; Silent films > History and criticism.; ART > Film & Video.; PERFORMING ARTS > Film & Video > Reference.; Motion pictures.; Silent films.; Electronic books.; Criticism, interpretation, etc.; History.

An authoritative and much-needed overview of the main issues in the field of early cinema from over 30 leading international scholars in the fieldFirst collection of its kind to offer in one reference: original theory, new research, and reviews of existing studies in the fieldFeatures over 30 origin...

Πίνακας περιεχομένων:

• Introduction / Nicolas Dulac, André Gaudreault, Santiago Hidalgo
• Early Cinema Cultures. The Culture Broth and the Froth of Cultures of So-called Early Cinema / André Gaudreault
• Toward A History Of Peep Practice / Erkki Huhtamo
• "We are Here and Not Here": Late Nineteenth Century Stage Magic and the Roots of Cinema in the Appearance (and Disappearance) of the Virtual Image / Tom Gunning
• The Féerie between Stage and Screen / Frank Kessler
• The Théâtrophone, an Anachronistic Hybrid Experiment or One of the First Immobile Traveler Devices? / Giusy Pisano
• The "Silent" Arts: Modern Pantomime and the Making of an Art Cinema in Belle Époque Paris: The Case of Georges Wague and Germaine Dulac / Tami Williams
• Early Cinema Discourses. First Discourses on Film and the Construction of a "Cinematic Episteme" / François Albera
• The Discourses of Art in Early Film, or, Why not Rancière? / Rob King
• Sensationalism and Early Cinema / Annemone Ligensa
• From Craft to Industry: Series and Serial Production Discourses and Practices in France / Laurent Le Forestier
• Awareness of Film, Language and Self in Early American Film Publications / Santiago Hidalgo
• Early Cinema and Film Theory / Roger Odin
• Early Cinema Forms. A Bunch of Violets / Ben Brewster
• Modernity Stops at Nothing: The American Chase Film and the Specter of Lynching / Jan Olsson
• "The Knowledge Which Comes in Pictures": Educational Films and Early Cinema Audiences / Jennifer Peterson
• Motion Picture Color and Pathé-Frères: The Aesthetic Consequences of Industrialization / Charles O'Brien
• Early Cinema Presentations. The European Fairground Cinema: (Re- )defining and (Re- )contextualizing the "Cinema of
• Attractions" / Joseph Garncarz
• Early Film Programs: an Overture, Five Acts, and an Interlude / Richard Abel
• "Half Real-Half Reel": Alternation Format Stage-and-Screen Hybrids / Gwendolyn Waltz
• Advance Newspaper Publicity for the Vitascope and the Mass Address of Cinema's Reading Public / Paul S. Moore
• Storefront Theater Advertising and the Evolution of the American Film Poster / Kathryn H. Fuller-Seeley
• Bound by Cinematic Chains: Film and Prisons during the Early Era / Alison Griffiths
• Early Cinema Identities. Anonymity: Uncredited and Unknown in Early Cinema / Jane M. Gaines
• The Invention of Cinematic Celebrity in Britain /
• Andrew shail
• the film lecturer / Germain Lacasse
• Richard Hoffman: A Collector's Archive / Richard Koszarski
• Early Cinema Recollections. Early Films in the Age of Content; or, "Cinema of Attractions" Pursued by Digital Means / Paolo Cherchi Usai
• Multiple Originals: The (Digital) Restoration and Exhibition of Early Films / Giovanna Fossati
• Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations / Nanna Verhoeff
• Is Nothing New? Turn of the Century Epistemes in Film History / Thomas Elsaesser.