A companion to Chinese cinema /
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| Format: | eBook |
| Language: | English |
| Published: |
Malden, Mass. :
Wiley-Blackwell,
2012.
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| Series: | Wiley-Blackwell companions to national cinemas.
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| Subjects: | |
| Online Access: | Full Text via HEAL-Link |
Table of Contents:
- Front Matter
- General Introduction / Yingjin Zhang
- History and Geography. Transplanting Melodrama / Zhang Zhen
- Artists, Cadres, and Audiences / Paul Clark
- Directors, Aesthetics, Genres / Yingjin Zhang
- Hong Kong Cinema Before 1980 / Robert Chi
- The Hong Kong New Wave / Gina Marchetti
- Gender Negotiation in Song Cunshou's and Taiwan Cinema of the Early 1970s / James Wicks
- Second Coming / Darrell William Davis
- Industry and Institution. Propaganda and Censorship in Chinese Cinema / Matthew D Johnson
- Chinese Media Capital in Global Context / Michael Curtin
- Film and Society in China / Stanley Rosen
- Vulnerable Chinese Stars / Sabrina Qiong Yu
- Ports of Entry / Nikki J Y Lee, Julian Stringer
- Genre and Representation. In Search of Chinese Film Style(s) and Technique(s) / James Udden
- Film Genre and Chinese Cinema / Stephen Teo
- Performing Documentation / Qi Wang
- Chinese Women's Cinema / Lingzhen Wang
- From Urban Films to Urban Cinema / Yomi Braester
- Arts and Media. The Intertwinement of Chinese Film and Literature / Liyan Qin
- Diary of a Homecoming: (Dis- )Inhabiting the Theatrical in Postwar Shanghai Cinema / Weihong Bao
- Cinema and the Visual Arts of China / Jerome Silbergeld
- From Mountain Songs to Silvery Moonlight / Jerome Silbergeld
- Cross-Fertilization in Chinese Cinema and Television / Ying Zhu, Bruce Robinson
- Chinese Cinema and Technology / Gary G Xu
- Issues and Debates. Chinese Film Scholarship in Chinese / Chen Xihe
- Chinese Film Scholarship in English / Chris Berry
- The Return of the Repressed / Shuqin Cui
- Homosexuality and Queer Aesthetics / Helen Hok-Sze Leung
- Alter-centering Chinese Cinema / Yiman Wang
- The Absent American: Figuring the United States in Chinese Cinema of the Reform Era / Michael Berry
- Bibliography
- Filmography
- Index.
- General introduction / Yingjin Zhang
- History and geography. Transplanting melodrama: observations on the emergence of early Chinese narrative film / Zhang Zhen
- Artists, cadres and audiences: Chinese Socialist cinema, 1949-1978 / Paul Clark
- Directors, aesthetics, genres: Chinese postsocialist cinema, 1979-2010 / Yingjin Zhang
- Hong Kong cinema before 1980 / Robert Chi
- The Hong Kong new wave / Gina Marchetti
- Gender negotiation in Song Cunshou's Story of mother and Taiwan cinema of the early 1970s / James Wicks
- Second coming: the legacy of Taiwan New cinema / Darrell William Davis
- Industry and Institution. Propaganda and censorship in Chinese cinema / Matthew D. Johnson
- Chinese media capital in global context / Michael Curtin
- Film and society in China: the logic of the market / Stanley Rosen
- Vulnerable Chinese stars: from Xizi to Film Worker / Sabrina Qiong Yu
- Ports of entry: mapping Chinese cinema's multiple trajectories at international film festivals / Nikki J.Y. Lee and Julian Stringer
- Genre and representation. In search of Chinese film style(s) and technique(s) / James Udden
- Film genre and Chinese cinema: a discourse of film and nation / Stephen Teo
- Performing documentation: Wu Wenguang and the performative turn of new Chinese documentary / Qi Wang
- Chinese women's cinema / Lingzhen Wang
- From urban films to urban cinema: the emergence of a critical concept / Yomi Braester
- Arts and media. The intertwinement of Chinese film and literature: choices and strategies in adaptations / Liyan Qin
- Diary of a homecoming: (dis- )inhabiting the theatrical in postwar Shanghai cinema / Weihong Bao
- Cinema and the visual arts of China / Jerome Silbergeld
- From mountain songs to silvery moonlight: some notes on music in Chinese cinema / Jerome Silbergeld
- Cross-fertilization in Chinese cinema and television: a strategic turn in cultural policy / Ying Zhu and Bruce Robinson
- Chinese cinema and technology / Gary G. Xu
- Issues and debates. Chinese film scholarship in Chinese / Chen Xihe
- Chinese film scholarship in English / Chris Berry
- The return of the repressed: masculinity and sexuality reconsidered / Shuqin Cui
- Homosexuality and queer aesthetics / Helen Hok-Sze Leung
- Alter-centering Chinese cinema: the diasporic formation / Yiman Wang
- The absent American: figuring the United States in Chinese cinema of the Reform Era / Michael Berry.
