Performance Phenomenology To The Thing Itself /

Performance Phenomenology To The Thing Itself /

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This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It...

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Bibliographic Details
Corporate Author: SpringerLink (Online service)
Other Authors: Grant, Stuart (Editor, http://id.loc.gov/vocabulary/relators/edt), McNeilly-Renaudie, Jodie (Editor, http://id.loc.gov/vocabulary/relators/edt), Wagner, Matthew (Editor, http://id.loc.gov/vocabulary/relators/edt)
Format: Electronic eBook
Language:English
Published: Cham : Springer International Publishing : Imprint: Palgrave Macmillan, 2019.
Edition:1st ed. 2019.
Series:Performance Philosophy
Subjects:
Theater.
Phenomenology .
Theatre and Performance Studies.
Phenomenology.
Online Access:Full Text via HEAL-Link
Table of Contents:
  • 1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner
  • 2. The Essential Question: So what's phenomenological about Performance Phenomenology?; Stuart Grant
  • 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone
  • 4. The unnamed origin of the performative in Heidegger's interpretation of Aristotelian Phronēsis; Stuart Grant
  • 5. A Phenomenology of Being Seen; Sondra Fraleigh
  • 6. 'A unique way of being': The place of music in Merleau-Ponty's Phenomenology of Perception; Marc Duby
  • 7. Foregrounding the imagination: re-reflecting on dancers' engagement with video self-recordings; Shantel Ehrenberg
  • 8. Sensing Film Performance; Sean Redmond
  • 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie
  • 10. On Not Being Able to Dance: The Interring; Robert P. Crease.-11. Performance Criticism: Live writing as phenomenological poiēsis; Diana Damian Martin
  • 12. The Erotic Reduction: Crossed flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart
  • 13. Sound Design: A Phenomenology; Christopher Wenn
  • 14. Acting without 'meaning' or 'motivation': A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli
  • 15. Thinking with Performance; Ian Maxwell.

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