340131.pdf
This first critical overview of the European film avant-garde ushers in a new approach and creates its own subject. Arguing that a European perspective is the only way to understand the film avant-garde of the 1920s and 1930s, Hagener provides a much-needed summary of the theory and practice of the...
| Γλώσσα: | English |
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| Έκδοση: |
Amsterdam University Press
2010
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